Fine-art instruction books do not usually focus on anatomy as it relates to movement, despite its great artistic significance. Written by a long-time expert on drawing and painting human anatomy, Classic Human Anatomy in Motion offers artists everything they need to realistically draw the human figure as it is affected by movement. Written in a friendly style, the book is illustrated with hundreds of life drawing studies (both quick poses and long studies), along with charts and diagrams showing the various anatomical and structural components. This comprehensive manual features five distinct sections, each focusing on a different aspect of the human figure: bones and joint movement, muscle groups, surface form and soft tissue characteristics, structure, and movement. Each chapter builds an artistic understanding of how motion transforms the human figure and can create a sense of expressive vibrancy in one's art.
Providing
ample education on the body's architecture, Classic Human Anatomy
in Motion is akin to a college textbook for the medical, science
or art student. Valerie L. Winslow opens with a preface followed by
an introduction to the history of figurative art being a
knowledgeable necessity for all artists. Against white backgrounds
and toned paper, the figures are drawn within a variety of media
including charcoal, graphite, ballpoint pen, pastels, colored
pencils, Conté crayons,
watercolor wash, and are highlighted by white chalk. The tome covers
thirteen chapters of illustrations, diagrams and charts paralleling
lucid explanations. There are transliterated pronunciation guides in
each chapter for anatomical references (e.g., abductor pollicis
brevis) and vocabulary basics (e.g., anterior, posterior, lateral,
dorsal). Winslow closes the large hardback with suggested reading
ranging from artistic and medical anatomy, forensics, and kinesiology
among others.
Outstanding
features are manifested throughout this treasury including the
accuracy of depicting your object's eye level, setting up preliminary
structures, and creating facial wrinkle patterns and movements of the
eyeball. The author breaks down the minutiae of individual aspects
such as the many different joint types, the walking and running gait
cycles, the expressions and muscle contractions, and the five fat
pads surrounding the eye alone. Eight methods are delineated for
various approaches to gesture drawing along with both its pros and
cons. Ending the text are six exercises of sequential movement.
It
is with great appreciation to possess this exceptional addition to my
art studio library as a learning reference. Classic Human Anatomy
in Motion is a brilliant compilation of instruction,
inspirational lessons and admirable artwork. Winslow's drawings are
graceful, precise and sophisticated. Beautiful and alluring, they
ceaselessly tempt the observer to pick up their favorite medium and
set forth their own skills.
Valerie L. Winslow has been painting and drawing the human figure for more than three decades and is an expert in the field of figurative art. She is the author of Classic Human Anatomy and has taught at the Art Center College of Design in Pasadena, the California Institute of the Arts, and Pixar Animation Studios. She is currently a full-time faculty member and the anatomy coordinator at San Francisco's Academy of Art University. Many of her works are in private collections, and she has won numerous museum awards.
This book was provided free for review by
Watson-Guptill Publications


